Saturday, March 7, 2020
Frederick Douglass Essays (1183 words) - Slave Narratives
Frederick Douglass Essays (1183 words) - Slave Narratives    Frederick Douglass    Frederick Douglass was an emancipated slave who passed from one master to another until he   finally found the satisfaction of being his own; he went through almost as many names as   masters. His mother's family name, traceable at least as far back as 1701 (FD, 5) was   Bailey, the name he bore until his flight to freedom in 1838. His father may or may not   have been a white man named Anthony, but Douglass never firmly validated or rejected this   possibility. During transit to New York (where he became a freedman) his name became   Stanley, and upon arrival he changed it again to Johnson. In New Bedford, where there were   too many Johnson's, he found it necessary to change it once more, and his final choice was   Douglass, taken, as suggested to him by a white friend and benefactor, from a story by Sir   Walter Scott (although the character in that story bore only a single 's' in his name).    All throughout, he clung to Frederick, to 'preserve a sense of my identity' (Norton, 1988).   This succession of names is illustrative of the transformation undergone by one returning   from the world of the dead, which in a sense is what the move from oppression to liberty   is. Frederick Douglass not only underwent a transformation but, being intelligent and   endowed with the gift of Voice, he brought back with him a sharp perspective on the blights   of racism and slavery. Dropped into America during the heat of reform as he was, his   appearance on the scene of debate, upon his own self-emancipation, was a valuable blessing   for the abolitionists. In their struggles so far, there had been many skilled arguers but   few who could so convincingly portray the evils of slavery, an act which seemed to demand   little short of firsthand experience, but which also required a clear understanding of it.    Douglass had both, and proved himself an incredibly powerful weapon for reform. While the   identity of his father is uncertain, it is generally accepted that the man was white,   giving Douglass a mixed ancestry. Mirroring this, he was also blessed with an eye that   could bring into focus different perspectives and, just as many multi-racial children today   are able to speak multiple languages with ease, he had the ability to translate in the most   eloquent fashion between the worlds of the black man and white man. Thus, ironically, the   torturous beginning of Douglass' existence was inadvertently made (by him) into a treasure   for 'us' (being mainly white America). The story of the American Dream, wherein a young   man, born into a hostile world, never loses sight of one goal, is not all that distant in   theme from Narrative of The Life of Frederick Douglass. The story of the American Dream   has been embedded deeply in our (American) culture from the beginning. Similarly anchored   in the American consciousness is the presence of a 'slavery-complex'. Along these lines   Douglass' role is a major one, for relatively few first-hand accounts of slavery as   powerful and representative as his exist, in light of the magnitude of the crime, and few   voices have been as far-reaching. More recent heirs of this 'office' such as Malcolm X   have carried the torch further, just as America's racial sickness still clings to our   collective consciousness. Frederick Douglass has been described as 'bicultural'. In other   words, he occupied a middleground shared by blacks and whites alike. This designation   proves to be thematically consistent with his biological (if we are to take his word for   it) as well as psychological characteristics. Dual-natured in this fashion, he is made   accountable for both sides. This can be seen in his gravitation towards freedom when he   was a slave, and manifests itself just as strongly in his vision, once he was able to look   back, of the 'graveyard of the mind' that American slavery was for him  as it was for the   rest of black America. "They would sometimes sing the most pathetic sentiment in the most   rapturous tone, and the most rapturous sentiment in the most pathetic tone...they would   sing, as a chorus...words which to many would seem unmeaning jargon, but which,   nevertheless, were full of meaning to themselves. I have    
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